Down on your knees
Not likely to get up
Aiming to please
I think it's pretty fucked up
You take what you get
Go on and eat it up
Can never get enough
But the road ahead might not be very clear
It sure looks better in your rear view mirror
Beyond the horizon is drawing near
Ain't nothing to fear
Look into your eyes
Have you really got something to prove? Oh, something to prove
From what lies behind
I don't think you really do, got something to prove
A watch that's stopped gets twice to make it right
Back on top might take a second fight
Pull yourself up and get the bootstraps tight
In the line of sight
But no direction brings you back in time
You want confession? Better look inside
Demand correction? Better step in line
You know what you'll find
Look into your eyes
Have you really got something to prove? Oh, something to prove
From what lies behind
I don't think you really do, got something to prove
Look into your eyes
Have you really got something to prove? Oh, something to prove
From what lies behind
I don't think you really do, got something to prove
Look into your eyes
Have you really got something to prove? Oh, something to prove
From what lies behind
I don't think you really do, got something to prove
credits
from At the End of the Road,
released May 26, 2023
Lead Vocals, Electric Guitar \\ Thomas Allain
Electric Guitar, Background Vocals \\ Jacob Weldon
Drums, Background Vocals \\ Wilson Gaberino
Bass Guitar \\ Nolan Staples
Produced and Mixed by Dan Hannon
Mastered by Richard Dodd
Music & Lyrics by Thomas William Allain
Album Art by Cody Paddack
Recorded at Madison Records with Wyatt Oates and Black Bear Studios with Logan Fischer
New York indie pop duo embark on an ambitious, ecstatic spirit quest, crafted with continuous listening in mind; a dreamy, rewarding loop. Bandcamp New & Notable Jun 7, 2023
Cermony's Ross John Farrar experiments with synths, bass, & percussion to make music similar to that from the '80s homemade tape scene. Bandcamp New & Notable Mar 30, 2023